Archive for the ‘Guest Blogger’ Category

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J. Richard Steffy’s Lost Ship Model – By Loren Steffy

March 6, 2013

Loren SteffyThe letters nagged at me like a persistent hint from the past.

I’d first encountered them among my father’s papers as I researched my book, The Man Who Thought Like a Ship. They pertained to a ship model he’d built in the 1950s of an ancient Egyptian vessel. The model left home before I was born, and everyone, my father included, assumed it had been discarded long ago. I’d only ever seen it in pictures.

My father, J. Richard “Dick” Steffy, was a pioneer in nautical archaeology. He developed a method for rebuilding ships from their sunken hull fragments and proved those theories by rebuilding the 2,300-year-old Kyrenia Ship in Cyprus in the early 1970s. He helped found the Institute of Nautical Archaeology and won a MacArthur Foundation “genius” grant in 1985.

J. Richard Steffy  with the Egyptian model soon after it was completed in 1963.

J. Richard Steffy with the Egyptian model soon after it was completed in 1963. He won Best of Show in the county hobby fair. (Photo courtesy of the Reading Eagle).

 

For the first 25 years of his working life, he was a small-town electrician in central Pennsylvania, and then, without even a bachelor’s degree himself, used his expertise in ship reconstruction to become a professor at Texas A&M University. Today, scores of his former students employ his methods worldwide.

The Egyptian model, though, hearkened to an earlier time, to the early years when my father still spent six days a week wiring factories and the wee hours of his nights building ship models in the basement.

Using what scant research he could find at the time about Egyptian shipbuilding, he attempted to reproduce with his model the original construction techniques. Each hull plank was about an inch and a half long, reflecting the short trees that the Egyptians used in shipbuilding. They were painstaking edge-joined, and the entire hull retained its shape from tension applied by a rope truss that ran from stem to stern. The Egyptians used no keels or frames.

An example of the model's joinery.

An example of the model’s joinery.

In all, the model had 2,000 pieces, and it took him more than 400 hours over 12 years to complete. As he built it, he began to lay the foundations of his new career, formulating the use of models in rebuilding sunken hulls.

In 1963, he arranged a meeting with George Bass, who had led the world’s first underwater archaeological dig off the coast of Turkey three years earlier. My father offered to build a model of a Byzantine wreck from the seventh century that Bass had uncovered. To seal the deal, to show his mettle as a modeler, he brought the Egyptian vessel with him to the meeting.

“I had no way of knowing how accurate it was or anything else,” Bass recalled. “It was the first time I’d ever looked at the model of an ancient ship. It wasn’t one of these slick yacht models.”

Nevertheless, Bass was thrilled with the idea of a Byzantine model, and this electrician seemed to know what he was doing. The two would begin a friendship and professional collaboration that would last the rest of their lives.

While my father would embark on one of the world’s more unusual career changes, the Egyptian model seemed to disappear.

No one, least of all my father, spent much time wondering what happened to it. He had little love for his models. Most weren’t built for aesthetics. He saw them as research tools that, once he had learned all he could from them, should be discarded. Because part of their lesson was to show how a ship broke apart when it sank, most didn’t last long. Only three others – including the one of the Byzantine wreck that he agreed to build for Bass – are known to have survived and are on display in museums in Cyprus, Turkey and South Carolina.

Perhaps that’s why I couldn’t get those letters out of my mind. Given the chance to find one of his long-lost works, I decided I had to know for sure what had become of the Egyptian ship. The letters provided a clue.

I got in touch with Cynthia Eiseman, a former student of Bass’s who’s been involved with nautical archaeology for decades. She wrote one of the letters in 1969, while working a summer job at the Philadelphia Maritime Museum. Her letter indicated my father had donated the Egyptian model to the museum, and she was asking what he wanted done with it.

The model soon after arriving at the Philadelphia Maritime Museum in 1965. Note the clay figures of the crew, which have since crumbled.

The model soon after arriving at the Philadelphia Maritime Museum in 1965. Note the clay figures of the crew, which have since crumbled.

“It was a surprise to hear the model is still in existence as it was not built for display purposes and has led a hard life,” he wrote back. “I would like to see the model on my next trip to the museum to find out why it has not disintegrated because it is basically only held together by the pressure of its own gunwales.”

Eiseman, who still lives in Philadelphia, didn’t remember the exchange or the model, but she offered to help look for it.

A few days later, she called to say she’d found it. It had been sitting for years in the storeroom of the Independence Seaport Museum in Philadelphia, which had been searching for a home for it.

The museum focuses on the maritime history of Philadelphia. Ancient Egyptian ships fall outside of its mandate, and the museum had “deaccessioned” the model in 1993. Since then, it remained in the a store room filled with shelves of ship models and seafaring artwork.

“Given that your dad never kept his models, it’s extraordinary that this one has survived,” Eiseman said.

Fortunately, the museum couldn’t bring itself to part with the ship.

“Museums sometimes have a hard time letting go,” Chief Curator Craig Bruns told me. “Nobody found a proper place for it until you asked. As a curator, I see it as a happy ending.”

Chief Curator Craig Bruns in the museum's storeroom.

Independence Seaport Museum Chief Curator Craig Bruns in the museum’s storeroom.

Last summer, I went to Philadelphia and drove the model to Texas, where it will but put on display in INA’s headquarters once a building renovation project is completed later this year.

Bruns provided letters from the museum’s files that filled in a few key details of the model’s history. My father wrote the museum in 1963 and offered to loan it the model, which he did in the summer of 1965.

While it didn’t fit with the museum’s mission, it was on display there for a time. Bruns gave me a plaque that had accompanied it and included the explanation: “While not a part of Delaware Valley history, it could be considered the `grandfather’ of all sea-going ships.”

It could also be considered the work that best represents my father’s transformation from hobbyist to ship expert.

The model remains in excellent condition. A few of the oars have fallen off and the crude figures my father fashioned to represent the crew have crumbled or broken away. The hull itself though, remains intact, still held to the proper curvature by the rope truss.

“It is an artifact of a discipline that he helped create,” INA President Deborah Carlson said.  “As a teaching tool the model will be accessible to students and faculty leading seminars in ancient seafaring and ship construction technology.”

The model today.

The hull was formed from one-and-half-inch pieces designed to recreate the short timbers used by Egyptian shipbuilders.

I wonder what my father, with his lack of sentiment for his creations, might say about that. He would be embarrassed by the model — there’s nothing that can be learned from it, he would say — yet if it benefited students, we would probably acquiesce to the display.

In the meantime, the Lost Ship Model waits to complete the last leg of its amazing journey. Sometimes, as I pass the room it’s in, I can’t help but stop there and peek inside its traveling crate. It’s as if my father’s dreams remain there, suspended in a time before they were fulfilled.

Nautical archaeology is now a recognized field of study, thanks to decades of effort by early pioneers like Bass and my father and the students they helped train. It is old enough that the field itself is developing its own history, a way for students who didn’t know the first generation to better understand how they developed their skills.

In a field that studies the past, the long-lost ship model offers a touchstone to its own unique history.

For more information about J. Richard Steffy see Loren Steffy’s book: The Man Who Thought Like a Ship.

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Loren Steffy is a columnist for the Houston Chronicle and the author of  The Man Who Thought Like a Ship.

* The opinions expressed by guest bloggers do not necessarily reflect those of the MUA, its staff, or its partner organizations.

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Good News for the Chinese Junk Free China – By Dione Chen

March 27, 2012

Faced with imminent destruction, the junk will be saved. More than four years after I launched efforts to save the Free China, and nearly 57 years after his historic trans-Pacific crossing from Taiwan to San Francisco, the junk will make its return trip to Taiwan later this spring, where it will be preserved as an museum exhibit there, thanks to the Taiwan government. The junk– which is the oldest Chinese wooden sailing vessel and last of its kind in existence– will generate awareness of Chinese maritime achievement and culture and the Chinese diaspora. There are several unique aspects of this preservation project.

First, the movement of the junk to Taiwan will be an extremely complicated and delicate task. The junk will be fit with a temporary cradle and transported to Antioch aboard a truck (requiring possible road closures and police escorts) for its journey to Antioch, where a stronger cradle will be built to ensure the safe transportation of the now-frail vessel. From Antioch, the junk will then be loaded onto a barge and then lifted by crane onto a freighter ship for the ocean crossing. The Taiwan government is in the process of making plans for a farewell reception to see the junk off.

The Free China about to pass under the Golden Gate Bridge (Photo courtesy of The Oakland Tribune).

Second, while the maritime world is dominated by men and the Free China’s crew was all male, women are playing key roles in ensuring the success of this preservation project. Diane Shipway, of Parker Diving Service, is a marine salvage operations expert, and will be in charge of managing the complex logistics involved in transporting the junk. Yiching Lin, Consular Officer with the Taiwan Economic and Cultural Office, is representing the government of Taiwan in its mission to ensure the safe return of the junk. Diana Waldie, manager of the Marine Emporium boatyard where the junk has remained since it was abandoned there several years ago, has continued to keep an eye on the old vessel. And finally, this project is the fulfillment of my dream of saving this forgotten piece of history. After my father’s death in the fall of 2007, I tracked down the junk and found it on the verge of destruction, and decided to launch a non-profit organization, Chinese Junk Preservation (www.chinesejunkpreservation.com) to save the junk in honor of my father, and with the hope of inspiring others to appreciate and preserve their family history.

Third, the junk has succeeded in surviving to this day because of the goodwill and love of a hugely interesting cast of local personalities and organizations on both sides of the Pacific, including the surviving members of the crew and their families, the Taiwan government, the National Park Service, Chinese Historical Society of America, National Trust for Historic Preservation, and interest by the media, whose coverage enabled us to broadcast our search for a new owner and “safe harbor” for the Free China. Historic preservation is an enormously challenging task, and the story of the Free China is a happy one of cooperation. I am grateful for the help of many.

Read the rest of this entry ?

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Patrimonio Cultural Subacuático y Maritimo en el Peru – Por Carlos E. Ausejo

August 16, 2011

El Centro Peruano de Arqueología Marítima y Subacuática (CPAMS), se formo a finales del año 2010 y esta formado actualmente por 4 miembros fundadores y una investigadora asociada, buscamos formar un equipo multidisciplinario aunque por el momento solo somos arqueólogos. El CPAMS tiene como objetivo promover la investigación científica arqueológica en ambientes marítimos subacuáticos, medios  fluviales, lacustres, sus zonas terrestres de  interacción así como el impacto del paisaje marítimo en el desarrollo de las sociedades a lo largo del tiempo. Buscamos difundir, proteger, preservar, conservar y poner en valor nuestro patrimonio natural y arqueológico distribuido en 2250 km del litoral pacífico, ríos, lagos costeros y de altura por medio de programas educativos para arqueólogos y talleres de sensibilización y desarrollo social.

La importancia de la arqueología marítima y subacuática en el Perú está en el extraordinario estado de conservación de materiales, que permite acceder a un tipo de información no registrada anteriormente (en el caso prehispánico) así como contrastar las fuentes escritas (época colonial y republicana). Read the rest of this entry ?

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Maritime and Underwater Cultural Heritage in Peru – By Carlos E. Ausejo

August 16, 2011

The Peruvian Centre for Maritime and Underwater Archaeology (CPAMS) was started at the end of 2010 and is currently made up of four founding members and an associate researcher. We intend to form a multidisciplinary team although at present we are still only archaeologists. The aim of the CPAMS is to promote scientific archaeological research in underwater maritime environments, rivers and lakes, their interaction areas on land as well as the impact that the maritime landscape has on society’s development over time. We seek to disseminate information on, protect, preserve, and conserve our natural and archaeological heritage that is distributed over the 2250km of the Pacific coastline, rivers, coastal and highland lakes and make it valued, by way of organizing educational programs for archaeologists as well as workshops on social development and awareness.

The importance of maritime and underwater archaeology in Peru lies in the extraordinary state of preservation of the materials which allows access to information not previously recorded (in the case of pre-Hispanic findings) as well as by contrasting findings with written sources. (Colonial and Republican era) Read the rest of this entry ?

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Asia-Pacific Underwater Cultural Heritage – By Dr. Mark Staniforth

April 12, 2011

I was fortunate enough to attend a UNESCO regional meeting on Underwater Cultural Heritage held in the magnificent Istanbul Archaeology Museum in October 2010. Of the eighteen nations from the Eastern Mediterranean and Black Sea region that were formally represented, no less than fourteen (or nearly 80%) have ratified the UNESCO Convention on the Protection of Underwater Cultural Heritage (2001). Another part of the world where there has been a very significant level of ratification has been Latin America and the Caribbean and one really important consequence of this has been the decline in official, state-supported, treasure hunting activities in these areas. On the other hand there are large areas of the world where very few countries have ratified the Convention – Northern Europe, sub-Saharan Africa and, sadly, my own region in Asia and the Pacific. Of the forty-eight nations included in the UNESCO region of Asia and the Pacific, for example, only two countries have ratified the Convention – Cambodia and Iran (or less than 5% of the countries in the region). There are, of course, many complex geo-political reasons why individual nations, or indeed whole regions, have failed to ratify this Convention in the nearly ten years since it was passed by UNESCO in late 2001. Some countries (like Australia) make much of the difficulties associated with federal nations trying to bring state and federal legislation into line with the provisions of the Convention and other countries claim to have issues with sovereignty and flagged vessels. I remain unconvinced by this kind of rhetoric and suspect that many countries are simply unwilling to expend funds in what is seen to be a relatively ‘unimportant’ area. Read the rest of this entry ?

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Maritime Historians Online: Engaging a Wider Audience – By Dr. Timothy G. Lynch

March 15, 2011

I came to the field of maritime history like many of my colleagues did– serendipitously.  My original area of expertise was in immigration and ethnicity, but when I was asked to teach a course in US Maritime History, I jumped at the chance: faced with a growing family and shrinking assets, it seemed like a good opportunity.  Plus, how hard could it be: after all, most immigrants came to this nation via ship!

Forced to learn the intricacies of the field by circumstance rather than by training, I found myself at a distinct disadvantage: the subfield of maritime history is incredibly specialized, and there was a steep learning curve. The sheer number of volumes on maritime history was daunting, with weighty tomes written by avocationists to nuanced monographs penned by academics. How could I ever master the material and pass it on to my students?  Few institutions house more than one specialist in maritime history, so if I wanted to bounce ideas off a colleague, get feedback on a research proposal, or just try out new ideas, I would have to do more than knock on a coworker’s door.  I’d need to seek out those specialists, network with them, brush up on their own areas of expertise and approach them for assistance.  To a classically trained historian, this was a bold proposition, but one that was instantly and continuously rewording.  I began to question my Read the rest of this entry ?

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Working in Cultural Resource Management – One Perspective from Underwater Archaeology – By Amanda Evans

February 15, 2011

I recently attended the Society for Historical Archaeology’s Annual Conference on Historical and Underwater Archaeology in Austin, Texas. As a professional it’s easy to become focused on my niche within archaeology, but attending conferences like SHA always reminds me of the diversity of jobs available in the field. When I began studying archaeology, like most new students in the field, I recognized that jobs existed in universities and museums, but I didn’t realize just how many jobs were also available in the private sector. According to a 2005 survey conducted by the Society for American Archaeology, 34% of respondents indicated that they were employed in an academic setting, including full, assistant, visiting, or adjunct professors and research assistants and post-docs. The next largest employment sector identified was that of cultural resource management (CRM), which accounted for approximately 28% of the total (the full report is available online at http://www.saa.org/Portals/0/SAA/membership/survey/full.pdf). Read the rest of this entry ?

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